of Shaolin Kempo Karate - Continued
 |
| |
 |
| |
 |
| |
 |
| |
 |
| |
 |
| |
 |
| |
 |
The art of Shaolin Kempo Karate was originated and founded by Grandmaster Frederick J. Villari. His fighting system of Shaolin Kempo
Karate has become widely recognized and respected in the last three decades, and his international organization of martial arts studios
has grown to be the largest chain of martial arts studios in the world. His art traces its origin over a thousand years to the Shaolin
temples of China and India, and many of the basic methods are still used. The present form has evolved t become famous and popular for
its very effective Four Ways Of Fighting. These evolutionary changes were necessary due to the cultural development of man and the
technological development of many different types of weapons. People are bigger, stronger and much more knowledgeable about weapons
and methods of combat; therefore, movements had to be changed and updated to suit the 20th century. Grandmaster Villari has achieved
what no other master has ever done, he developed a system that combines the Four Ways Of Fighting into ONE. Today, Fred Villari's
Shaolin Kempo Karate system has spread nationally and internationally. Grandmaster Villari and his system have carved a permanent mark
in the annals of martial arts history that will perpetuate for the benefit of future generations.
The Shaolin temple was first built around 495 A.D. by Chinese Emperor Hsiao Wen for an Indian monk Batou, or, as known by the Chinese,
Fo Tou. It was in the great Shaolin temple in the Songshan mountains of central China that Buddharama, a sixth century Indian monk,
first introduced Buddhism and a form of meditation methods and fighting techniques. He introduced to the temple monks a form of breathing
exercises based upon animal movements, mostly exercises for strengthening and conditioning the body. The reason he taught the monks these
exercises was to purify their bodies and develop inner strength. Then came the movement of the animals which were taught for self defense
purposes. Over a time, the monks changed and perfected these movements, gearing them toward fighting. This style became known and feared
as the art of Shaolin Temple Boxing. Buddhism and Shaolin Temple Boxing or Shaolin Ch’uan Fa were the Shaolin Temples' main legacy to
the world. So it was in China that the philosophical and religious systems upon which many martial arts depend were first created
and nurtured. The teachings of Lao Tzu, Confucius and Buddha were blended with the development of the various Chinese martial arts
systems which spread to many other Asian countries.
In the 1600's, after Japan conquered Okinawa, the people of Okinawa were restricted from using any weapons to prevent retaliation.
The natives had no alternative but to practice the art of empty-handed fighting known as Te. This name was derived from the Chinese
T'ang Dynasty, when many empty-handed styles of fighting were popular. The Okinawans changed the name of their martial art from Te
to Karate, and many styles were developed.
Long before either the Chinese or the Okinawans practiced or developed their arts, the Tibetans and Mongolians had their own form
of combat from which the venerable art of Chin Na or the art of the White Tiger was further developed -- a devastating form of
locking, seizing, holding and grappling. The Tibetans and the Mongols were the masters of the grappling arts.
The art of Shaolin Kempo Karate was founded and developed by Grandmaster Villari after many years of studying and mastering
numerous different styles of the martial arts including Shaolin Temple Boxing, Jiu Jitsu, Kung Fu, Kempo, different styles of Karate,
as well as the secret art of the While Tiger (Chin Na).
As a result of Grandmaster Villari's varied wealth of experience and his dedication to seeking the ultimate fighting system, he realized
each fighting system offered something both unique and special, and each also had its glaring weaknesses that would make a fighter
vulnerable. After studying and mastering many different styles and ways of fighting, Grandmaster Villari realized that there were only
four ways of fighting.
Grandmaster Villari finally discovered that the ultimate in self defense lay not in one way or style of fighting, but by combining
the Four Ways Of Fighting. He then devised and developed ways to integrate these methods of fighting into one, thereby eliminating
any and all weaknesses and vulnerabilities. This is the CORE, THEORY, and METHOD behind Villari's devastating and pregnable art of
Shaolin Kempo Karate.
The Shaolin fighting system is the backbone of the Villari system as Grandmaster Villari felt it was the best for promoting overall
good health and longevity. The system is very well balanced, incorporating the mind, body and spirit into one. It is a system that
promotes health and wisdom. On the fighting side, Shaolin is renowned for its awesome and devastating kicking and punching techniques.
It is the only system that incorporates the movements of the five animals: Tiger, Crane, Dragon, Snake and Leopard. Shaolin
theory of fighting is based upon circular movements, speed, conditioning, and the development of strong internal energy, tendons
and ligaments. This is the essence for producing a superior fighter.
Karate is also highly favored by Grandmaster Villari, and he regards it as simple and quick to both learn and execute.
It's known for its linear and angular movements with quick shuffles and in-line fighting movements. Karate type blows are more
mechanical in execution than Shaolin. They are also more explosive. Karate concentrates more on the external and fewer moves are
required to get the job done.
Grandmaster Villari utilized the art of Kempo because it is a mixture of both hard and soft movements that blend nicely, but is not
sophisticated enough by itself. Kempo lacks the grace of Shaolin with its integrated leg maneuvers, the quick shuffles and footwork
of Karate, and the explosion of Hard Karate.
Shaolin movements are more fluent than either Kempo or Karate and consists of more patterns of multiple strikes. The weakness
here is that there are too many wasted movements which create openings for counter-attack. Karate, on the other hand, has too
few movements and is too rigid to stand alone. Shaolin takes longer to master than Karate, but, once mastered, your blows are delivered
more effectively because Shaolin is a balance of the body's external strength and the internal power found within. Each system offers
something to compliment the other by combining the circular and linear movements together; the end result is far superior to either alone.
Fred Villari's Shaolin Kempo Karate system also incorporated the venerable art of Chin Na because Chin Na is the ultimate form of
controlling your opponent by holding, seizing, locking, throwing, felling and delivering pain that can be controlled. No other art
can have such control over an attacker. Grandmaster Villari also favors and teaches moves of the Immortal Monkey, known for its art
of illusion. It cannot be hit. Its movements are lightning quick and it has the ability to change direction rapidly. It never exhausts
its energy and has superior longevity. The monkey is always happy.
Below is a breakdown of some of the important criteria which makes Fred Villari's Shaolin Kempo Karate system so unique.
Grandmaster Villari's stances are different from the original stances of Kempo and Karate in that he innovated changes in order to
have more fluency and freedom of movement. These are more natural and logical to use. The old stances were suited for people of a
different stature and who fought in a low crouched position. Villari Fighting Stances were developed using the way of the upright
position, which has been proven to be far superior. This is one of the most important changes that Grandmaster Villari has made in
the Karate and Kempo systems. No wonder so many other martial art styles have copied and imitated his changes.
KARATE
Forms simulating fighting scenarios, one (1) through five (5) pinon, the unshakable balance of the Crane, mandatory basics, foot
maneuvers and fighting techniques.
KEMPO
Kempo fighting techniques and combinations, one (1) through six (6) kata, Swift Tigers, two (2) man fist set, Honsuki, basics, and
fighting techniques.
SHAOLIN
More advanced forms simulating fighting scenarios, knowledge of all the movements of the Tiger, Leopard, Dragon, Snake and Crane
necessary for both health and self defense.
Grandmaster Villari is the pioneer of the martial arts in the Western World. He came to revolutionize and upgrade the martial arts,
gearing it toward practical fighting for the 20th century. So, no other master or system can lay claim to or take credit for the unique
fighting system of Grandmaster Villari -- the VILLARI SHAOLIN KEMPO KARATE SYSTEM! His contribution to Asian martial arts in the western
world cannot be disputed. He did and has exposed, on a massive scale, the way of the Asian fighting arts to the demystified the myth that
only a few selected people could have the ability and intelligence to learn. He showed westerners of all ages and cultures “the way of
the Asian fighting arts.” His contribution is undoubtedly a valuable part of martial arts history. Grandmaster Villari’s input and
involvement created the turning point in the teaching of the martial arts on a large scale. Therefore, his contribution to the history
of the martial arts is of utmost importance.
On display at any Villari’s Center is the organizational chart and family tree of the Shaolin Kempo Karate System and its descendants.
Those listed are currently active with the organization and are revered as part of the family. Grandmaster Frederick Villari has promoted
directly, or indirectly through his masters, over ten thousand (10,000) Black Belts, too numerous to mention.
ROOTS OF SHAOLIN
| Shaolin Karate Call Now! 508-653-2137 |